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Music at  ST MARY'S   Perivale

 

Tuesday 20 January 2.00 pm 

Jeremy Chan (piano)

Mozart: Sonata in D K 311 (16')
Allegro / Andantino / Rondo

Bach: Prelude and Fugue in E flat WTC Book 1 BWV 852 (6')

Shostakovich: Preludes and Fugues Op 87
no 3 in G major (4')
no 12 in G sharp minor (9')

Franck: Prelude, Chorale and Fugue FWV 21 (19')

Come along to St Mary's Perivale
or watch LIVE on
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or watch the recording on YouTube

Jeremy Chan is an award-winning concert pianist based in London. He holds an Artist Diploma as well as a Masters degree with Concert Recital Diploma from the Guildhall School of Music and Drama. He also obtained a bachelor's degree in English Literature from Durham University. In 2023 and 2024, Jeremy won both the Guildhall Beethoven Prize and the Guildhall Romantic Prize. He also won second prize at the Tunbridge Wells International Music Competition. In July 2023, he made his concerto debut at St John's Smith Square with the London City Orchestra playing Rachmaninov's Second Piano Concerto. In the summer of 2023, he was invited to work with pianist Angela Hewitt for a week in Italy. He has made appearances in festivals such as the London Piano Festival and Un Piano Sous Les Arbes in France.

Jeremy has performed in different venues including Kings Place, Steinway Hall London, St John's Smith Square, Silk Street Concert Hall, Milton Court Concert Hall, Salle Gilles Lefebvre, Durham University Concert Hall and City Lit Recital Room. Jeremy has worked with and received great insight from world-renowned musicians such as Dame Imogen Cooper, Sir Stephen Hough, Jonathan Biss, André Laplante, Jean Saulnier, Dmitri Alexeev, Ilya Poletaev, Graham Scott and Katya Apekisheva. Jeremy is also an avid chamber musician and is currently a member of the Wayfarer Trio with cellist William Lui and clarinettist Kosuke Shirai. In 2025, Jeremy completed his Artist Diploma at the Guildhall School of Music and Drama with Noriko Ogawa, Charles Owen and Ronan O' Hora.

Alongside his performing career, Jeremy is an active writer on classical music. He publishes regularly on his Substack newsletter On Music & Making   featuring concert reviews, essays, and conversations with leading musical figures.


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We receive no external funding and all our team are unpaid volunteers.
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